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User agreement, Privacy Policy For copyright holders Advertise on this site. The site does not give electronic versions of products, and is engaged only in a collecting and cataloguing of the references sent and published at a forum by our readers. If you are the legal owner of any submitted material and do not wish that the reference to it was in our catalogue, contact us and we shall immediately remove her.

Files for an exchange on tracker are given by users of a site, and the administration does not bear the responsibility for their maintenance. Rather cowardly, if you ask me. The whole film has the feel of an old B movie but is set in the present day as it is shot entirely in black and white and contains more than one horror reference.

Spookiness pervades the atmosphere, as Danny Elfman's Gothic score meanders in the background like a funeral march. Poor Victor loses his dog, and his mourning and subsequent resurrection of his pet carries real emotion weight. This doesn't last though, as the plot stretches to Victor's classmates experimenting on other deceased creatures, turning them into freaks of nature that invade the town. This is an arresting spectacle, but a betrayal of what transpired before It feels like a different film, and not one that matched up to the poignant first half.

Not for one minute would I suggest I could tell Mr Burton how to do his job. But I think less action, and more storytelling would have improved the final reel no end As well as a more courageous conclusion. Oh well, everyone's a critic Most don't enunciate their thoughts as well as I do, though Greetings again from the darkness.

Being a huge fan of Tim Burton's short of the same title, news of a feature length feature was very exciting. It's obvious from both films that director Tim Burton holds the story and project close to his heart. The obvious guess is that young Victor Frankenstein has much in common with the enigmatic director's childhood experience The story begins simply enough, Victor - a socially inept boy, whose only friend is his loyal dog Sparky, quickly connects with the new science teacher, Mr.

Rzykroski who bears a striking resemblance to the late, great Vincent Price. Victor's parents try to get him more engaged and that leads to a tragic accident that kills Sparky. Victor is heart-broken but his scientific mind leads to a shocking development thanks to a local lightning storm. Soon enough, Sparky is back! Of course, the secret gets out and the Science Fair takes on quite a competitive nature. Burton really treats the film as an homage to old monster, horror and sci-fi films. But this is so much more.

Rzykroski gives a less than PC speech to the local townspeople, and though it is straight to the point, that point is lost on these fine folks. The importance of science and learning and accepting the differences of others is all touched upon, but not in a preachy way. The style and texture of the film is extraordinary. The shadows and lighting provide an atmosphere that adds just enough creepiness.

The detail involved with the characters and setting is remarkable for stop-motion animation. Not just that, but how many movies have you seen recently that include a cat-bat, sea monkeys, and a giant turtle? The suburban setting is almost identical to the neighborhood seen in Burton's Edward Scissorhands, just without the 's color palette.

This is excellent movie entertainment for adults and children alike. Unfortunately, the black and white presentation has meant a lack of interest from today's kids. Sure it has some darkness to it, but the PG rating means nothing too heavy. This is Tim Burton at his finest Also, Danny Elfman's score perfectly compliments the story and characters, and stay for the credits to hear a very odd Karen O song.

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Last edited by haizenberg on ; edited 1 time in total. You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum You cannot attach files in this forum You can download files in this forum. User agreement, Privacy Policy For copyright holders Advertise on this site.

The site does not give electronic versions of products, and is engaged only in a collecting and cataloguing of the references sent and published at a forum by our readers. If you are the legal owner of any submitted material and do not wish that the reference to it was in our catalogue, contact us and we shall immediately remove her.

What will it take for him to bounce back? If anywhere there was a braver ending needed, it's here. Kids could have learned that life is but fleeting, we all suffer heartbreak sooner or later, say goodbye to the ones we love This is an important lesson indeed. But, no. In the interest of a few mums and dads having to tolerate some waterworks on the way home from the cinema, Burton decides to go for what is essentially a cop out. Rather cowardly, if you ask me. The whole film has the feel of an old B movie but is set in the present day as it is shot entirely in black and white and contains more than one horror reference.

Spookiness pervades the atmosphere, as Danny Elfman's Gothic score meanders in the background like a funeral march. Poor Victor loses his dog, and his mourning and subsequent resurrection of his pet carries real emotion weight.

This doesn't last though, as the plot stretches to Victor's classmates experimenting on other deceased creatures, turning them into freaks of nature that invade the town. This is an arresting spectacle, but a betrayal of what transpired before It feels like a different film, and not one that matched up to the poignant first half.

Not for one minute would I suggest I could tell Mr Burton how to do his job. But I think less action, and more storytelling would have improved the final reel no end As well as a more courageous conclusion. Oh well, everyone's a critic Most don't enunciate their thoughts as well as I do, though Greetings again from the darkness.

Being a huge fan of Tim Burton's short of the same title, news of a feature length feature was very exciting. It's obvious from both films that director Tim Burton holds the story and project close to his heart.

The obvious guess is that young Victor Frankenstein has much in common with the enigmatic director's childhood experience The story begins simply enough, Victor - a socially inept boy, whose only friend is his loyal dog Sparky, quickly connects with the new science teacher, Mr. Rzykroski who bears a striking resemblance to the late, great Vincent Price. Victor's parents try to get him more engaged and that leads to a tragic accident that kills Sparky.

Victor is heart-broken but his scientific mind leads to a shocking development thanks to a local lightning storm. Soon enough, Sparky is back! Of course, the secret gets out and the Science Fair takes on quite a competitive nature. Burton really treats the film as an homage to old monster, horror and sci-fi films. But this is so much more.

Rzykroski gives a less than PC speech to the local townspeople, and though it is straight to the point, that point is lost on these fine folks. The importance of science and learning and accepting the differences of others is all touched upon, but not in a preachy way. The style and texture of the film is extraordinary. The shadows and lighting provide an atmosphere that adds just enough creepiness.

The detail involved with the characters and setting is remarkable for stop-motion animation. Not just that, but how many movies have you seen recently that include a cat-bat, sea monkeys, and a giant turtle? The suburban setting is almost identical to the neighborhood seen in Burton's Edward Scissorhands, just without the 's color palette.

This is excellent movie entertainment for adults and children alike. Unfortunately, the black and white presentation has meant a lack of interest from today's kids.

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