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ACR singer Simon Topping emotes in a gray monotone, similar to Ian Curtis, while drummer Donald Johnson, who had arrived the previous year, brings a funky danceability to the song that Factory would explore even further with the emergence of the Happy Mondays later in the decade. But what makes "Shack Up" a classic is its ultra-sparse atmosphere, making it feel like ACR were stripping something to its core principles, in the process burrowing to the very core of what makes certain styles tick.
See also : Liquid Liquid: " Cavern ". Arthur Russell saw no reason to erect a barrier between the music he performed on his cello at the Kitchen, an artsy downtown performance space, and his records that got played at discotheques like the Gallery and the Paradise Garage.
He was hardly alone in wanting to eradicate the boundaries between fine art and pop art; that was a principal belief in the s, particularly within New York's avant-garde milieu of musicians and video artists and graffiti writers and experimental poets. But while noise and classical minimalism were deemed acceptable bedfellows, few downtown types extended that open-mindedness to the city's discotheques, where a mostly gay crowd, many of them black and Latino, were conducting their own experiments in repetition, extreme duration, and altered states.
It says something about the open-mindedness of those dancers that Russell got away with some truly weird shit on his "disco" records. Assembling a wide array of musicians from the funk, jazz, and avant-garde scenes, Russell crafted a rippling funk cut driven by liquid bass and some of the hissingest hi-hats that have ever been put to tape, stretched into four dimensions by Julius Eastman and Jimmy Ingram's dueling organ and electric piano.
Kevorkian's mix, released on inch in , used dub delay like a wedge, opening up the track's guts and letting all the pieces fall out to land where they may. The results were as radical as anything to touch vinyl that year; a technically complex amalgam of sound absolutely soaked in pleasure. Each of those records was risky and expensive, the product of artists not only with ambitious visions but also the budget to realize them. All the elements that would drive the Native Tongues movement were laid out on the opening title track, which stitches samples on top of samples.
For a supposedly delicate art form, people get haiku poetry confused. It was juvenile, maybe, but not for its own sake—it complemented the reality-grounded, borderline mundane writing style. All the power lies within the extreme, barely-editorialized brevity, capturing and presenting a real life moment with the purest, most direct translation possible. But these brief, unfiltered snapshots, delivered with purposeful directness, had an elegance to them, despite the twin-sister threesomes and ill-advised bus sex—entire stories condensed into two simple, vivid lines, delivered with unmistakable confidence.
Not so much a band as a production outfit, the Italian trio Kano were formative to the emergence of Italo Disco, which added a mechanical pulse to dance music via the use of drum machines and synthesizers. The singers trade verses with heavily vocoded vocals, creating a sort of man vs. There It Is ". From a commercial standpoint Kano were not a smash, but the group's work has had an enduring presence in underground dance music.
And as dance music has returned to the mainstream, Kano's sound has become even more present. When Daft Punk released Random Access Memories in , the French duo praised the dance music of the '70s and early '80s for its use of session players, who added an un-gridded feel and tangible humanity that would later be expunged as pop music came to rely more heavily on programmed and extensive computer editing.
Music that maintains a steady trance-like pulse, but still swings. That the music is so anthemic, propelled by a party groove that throws together P-Funk, Kraftwerk and Afrika Bambaataa, makes the song's conflicts all the more compelling. Beginning in the late '60s, Alice Coltrane released a brilliant run of spiritually rich records that blended Eastern instrumentation with experimental jazz.
But by the end of the next decade, Coltrane—a harpist, pianist, composer and widow to jazz legend John Coltrane—had mostly gone quiet. Rather than performing or recording, she withdrew from the secular world, taking the name Turiyasangitananda and concentrating fully on spiritual life. The song has a very different character from her full band work on Impulse! Where that music was often dense, percussive, and alive with improvisational interplay, "Jagdishwar" is more stripped down and solemn.
Turiya Sings was not particularly well known or well distributed at the time of its release. However, in recent years the music has found another life and a larger audience through YouTube bootlegs, blogs, and file sharing services. In , "Jagdishwar" might have been written off as new age glop. Much like Arthur Russell's World of Echo , it's music that sounds like it was beamed in from a private universe, an artifact that's from the past, but not of it.
Written yesterday, but meant for our ears. If there was an award for most creative metaphor for marijuana then Gregory Isaacs would take it for his soulful lament, "Night Nurse". Drug narratives in pop culture are often demonized for glamorizing usage, but Isaacs and his transcendent, lonely howl convey how complex, and necessary, stories of dependency and addiction can be in the right hands.
EPMD weren't the first group to sample Zapp's "More Bounce to the Ounce", but they certainly helped usher it into the hip-hop mainstream. The futuristic, laidback sound Zapp's robotic vocals sound like proto-Daft Punk lent itself well to EPMD's early, unhurried swagger rap. Sermon and Smith didn't have time for any biting sucker MC's, calmly instructing them to step off: "You gots to chill.
But in , Rodgers and his partner Bernard Edwards used it to develop a post-disco pop song performed by Carly Simon, "Why". Long before the Notorious B. And that was a whole new thing. Also, there was no reverb on nothing. So it sounded like you could have played it in your basement. The Clash had pissed off the punks by going hard rock , stymied the rockers by embracing folk and reggae tradition , alienated traditionalists by turning into dub-funk experimentalists , and then, in , shocked everyone by becoming pop stars.
Even if Middle Eastern geopolitics have become way too complicated over the ensuing three decades for anyone to suggest that Western rock music could topple caliphates, the unifying potential of "Rock the Casbah" remains undiminished.
By , the meticulous arrangement had finally exhausted itself, so engineer Bob Blank hustled the old lineup back to the studio to record a post-disco revamp. The sonic overhaul was revelatory, a glimmering network of teasing bass pops, crisp programmed beats, deep-freeze synth zaps. Where the original was all groove, riding a low-key funk bounce, the revamp surges like a chemical rush. They took it to producer Prince Jammy, who slowed the synthesized track down to a more acceptable reggae tempo.
A few days later, he deployed it at a soundclash against the Black Scorpio Soundsystem and crushed them with the track. Like an earthquake, the revolutionary "Sleng Teng" riddim changed the Jamaican music industry overnight, introducing dancehall to the world. Going forward, riddims would be rendered via keyboards and drum machines rather than session musicians and "Sleng Teng" became the most ubiquitous riddim, manifesting nearly times to date.
The transformation of Arthur Russell from cult favorite into widely praised figurehead is one of the great upsets of pop music history. Russell, a polyglot composer who made odd, personal music, was far likelier to end up a footnote, or sample fodder , than as the subject of documentaries and biographies, to see his archives mined for scraps of magic.
But Russell's pensive solo works have always appealed to underground music fans, and a renewed interest in disco and post-disco—spearheaded by labels like DFA—has helped keep his dance productions in rotation. Still, it was not aimed at the charts, recorded with amateur vocalists exclusively under full moons. The track was meant to encompass the flowing, friendly vibes of David Mancuso's Loft parties, though it never became a mainstay there.
Russell's own cut is jammier and features a cadre of mumbling male vocalists; it sold poorly. Paradise Garage resident Larry Levan's more celebrated version highlights Melvina Woods' warbly, off-key vocals; it was a Garage smash and did time on the Billboard dance chart. A post shared by Russell T Davies russelltdavies Charged with cheeky, campy horn flourishes, it oozes a kind of carefree, shoulder-shimmying joy — the perfect accompaniment to Roscoe finally being free to be himself.
Many people believed that it could be transmitted through touch, saliva and the air — some even doubted the seriousness of the virus. And early on, breezing from pub to club to house party, Ritchie and his friends react to news of a deadly new disease killing gay men in New York with a reaction of anger, bemusement and conspiracy. Originally, Bush wrote the song about striking a deal with God so that men could swap places with women in order to understand each other better — here, its quest for empathy takes on a slightly different meaning.
It meant the full extent of the disease was hidden behind closed doors.
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Rhythm from Ancient Times Endless Echoes Fearless Warriors Beats of Water Drops Magic Intrigues Against All Odds Perpetual Motion of Wind Riders of the Wind, Onward Whirl of Boreal Wind Symphony of Boreal Wind. Disc 1 - Glazed Moon Over the Tides Liyue Moon in One's Cup Relaxation in Liyue Maiden's Longing Sun Rises in Liyue Good Night, Liyue Call It a Day in Liyue Clear Sky over Liyue A Transparent Moon Liuli Pavilion Treasury from the Northland Cozy Leisure Time Wangshu Daytime Sojourner's Sweet Dream Wangshu Night Winding River Mild Waves Rhythm Amidst the Reeds Flows of Jade-Like Water Blossoms Across the Valley Flow of Mildness Stroll in the Shadows Melodious Flute Gentle Rain Vague Whispers Legends Swept Away Joy of Returning Loner's Departure Foxes at Play Plain of Nostalgia Another Hopeful Tomorrow This Little Light of Mine Legend of Redemption Hazy Light Scattered Amongst the Tides Peaceful Hike Qingce Daytime The Fading Stories Qingce Night Wandering Flight Faint Tracks Idle Away from Mountains Humming Amidst Rocks Above the Sea of Clouds Adeptus' Retirement A Casual Visit A Serendipitous Encounter Freedom of Crane Rays of Sunlight Rainbow at Summit Spring in Clouds Adeptus' Solace The Absence of Adepti Emerging Clouds Drink with a Hermit Moss Covered Path Bird Call from Afar Red Leaf on the Chessboard Secluded Sanctuary Flickering Petals Swinging in the Breeze Solitude Mountains Distant Resonance Foregone Giants Linger in the Valley Slumbering Lore Silent Ruins Lone Drifter Lost Expectation Rapid as Wildfires Chasing the Torrents Gallant Challenge.
Where the Sunlight Flees Flaming Fry Sieh an, mein Sommernachtgarten! Preserver of Fortune Surge of Prophecies Letter From Ajax From Snezhnaya With Boldness Exclusive Specialty Nimble As Lightning Contemplation in Snow Genius of Takwin Rex Incognito. Snow-Buried Tales Fragile Fantasy Chattering Snowflakes Serene and Sweet Adieu Glistening Shards Ad Oblivione Abiding Chills Menacing Cove Striding in the Snowstorm Sinister Mist In the Desolate Hallway The Flourishing Past Unfinished Frescoes Spin of Ice Crystals Finale of the Snowtomb Once-Colored Memories Moonlike Smile.
Disc 1 - Fairytale of the Isles What a Hopeful Voyage Vast and Blue Mesmerizing Waves Journey into Sweet Dreams Whispering Seabreeze Sunshine Beach Ariel's Footprints Melody of Jellyfish Comforting Quietude Old Tales Preserved Cautious Explorers In Stories of Fading Light Cozy Company Reminiscence of the Old Days Faraway Solicitude Disc 2 - Blazing Stars Overture of Storms A Sparky Clash Innocent Age Whence the Flow Cometh Hunt for Delicacy Mellow Memories The Wolf Boy Battle Preparation The Astrologist Awaiting The Starlit Past Fireside Rest A Wicked Plot A Cunning Trick L'arrivo Della Signora A Yearning Breeze Ripples of Daydream Welcome Back, My Companion The Sudden Collapse The Lunar-Eclipsing Palace Unexpected Savior A Letter from Afar Lovers' Oath Disc 3 - Roar of the Formidable All-Conquering Tide Never-Ending Performance Magic Garden.
The Love v. At the graveside. Darkness descends. Poirot after the funeral. Behind the curtain. Denoument 1. Poirot sees all. The other girl. Who is she. Poirot closing in. In the night comes. Murder by suicide. Poirot sees all 1. She is innocent. Mr's Mcginty's Dead. Murder montage. Pictures in a book. Poirot alone with a killer. Poirot dark deeds. Poirot investigates. Shadows and Light. Unmasking a killer. Five Little Pigs Main Theme. The Hollow Main Theme. Switch - Love Over and Over Again.
Souls of Mischief - 93 'Til Infinity. Rick James - Mary Jane. Kris P. Quincy Jones, Al B. Barry White, Al B. Caleborate - Caught Up. Christopher Lennertz - Main Titles. Christopher Lennertz - Karim's Funeral. Christopher Lennertz - th Street. Christopher Lennertz - My Pride and Joy. Christopher Lennertz - 2nd Trimester Trust You. Christopher Lennertz - Good Job. Christopher Lennertz - That Shaft Kid. Christopher Lennertz - Grandad Bored as Hell.
Christopher Lennertz - Old School. Christopher Lennertz - Moment Ruined. Hummell Gets The Rockets. Rock House Jail.
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