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Photos Top cast Edit. David Emge Stephen as Stephen. Ken Foree Peter as Peter. Scott H. Reiniger Roger as Roger. Gaylen Ross Francine as Francine. David Crawford Dr. Foster as Dr. David Early Mr. Berman as Mr. Richard France Scientist as Scientist. Daniel Dietrich Givens as Givens. Fred Baker Commander as Commander. James A. Baffico Wooley as Wooley as Jim Baffico. John Rice Officer in Project Apt. More like this. Storyline Edit. Did you know Edit. He later said it was a mistake, because many of them ended up looking quite blue on film.
Goofs When Roger runs out of a truck and back toward the mall, one particular zombie in a red-and-black striped shirt gets out of character and decides to tuck in his shirt. Quotes Francine Parker : They're still here. Stephen : What? Crazy credits George A. Romero appears on screen as a TV Station Director the bearded man wearing a scarf and a blue shirt as his name appears, listing him as "Editor", in the on-screen credits beneath him.
Alternate versions The original UK cinema version aka Romero's 'theatrical print' was cut by 3 mins 46 secs by the BBFC to remove an exploding head and a screwdriver killing plus stabbings and scenes of disembowelment, and the video version lost a further 12 secs of gore and shooting plus a scene of a woman's neck being bitten during the housing project sequence.
Some cuts were restored in the alternate Directors Cut video although 6 secs remained missing including the exploding head, neck bite and an additional edit to the shooting of the two zombie children in response to the Dunblane massacre. All cuts were fully waived in from both the Directors Cut and the original theatrical versions. The later Blu-Ray release by Arrow was uncut as well.
Connections Edited into Cent une tueries de zombies User reviews Review. Top review. This review refers to the theatrical cut of the film. When George A. Romero's no-budget horror movie Night of the Living Dead hit screens in , the same year that had already given audiences the all time genre classic Rosemary's Baby, no one could have predicted the indelible effect it would have on the history of cinema. The film introduced audiences to a degree of graphic violence never before witnessed on American screens.
However, it was the film's intense, omnipotent terror that forever scarred a generation of viewers. Although the film enjoyed unprecedented mainstream success for an independent production, the filmmakers saw little of the movie's earnings. Romero's string of box office disappointments in the years to follow would diminish his clout in Hollywood, and as such he found it was an uphill battle to fund his ambitious sequel to the film.
Then along came Italian horror maestro Dario Argento, hot off the heels of such international blockbusters as Deep Red and Suspiria. Argento helped secure funding for the film, in exchange for the rights to personally oversee the international cut of the film. The collaboration would be a match made in horror movie heaven, for the end product would be Dawn of the Dead, one of the most acclaimed and enduringly popular horror movies of all time.
Dawn of the Dead's plot is so effectively simple, and now thoroughly familiar, that it almost goes without description. While the world approaches a still unexplained and ever growing zombie apocalypse, four individuals-two millitary men, a helicopter pilot, and his TV reporter girlfriend-barricade themselves in an abandoned suburban shopping mall. The mall provides fodder not only for the film's well known social commentary, but also for some truly thrilling-if not terrifying-setpieces.
With its graphic depictions of human evisceration, exploding heads, and gruesome flesh eating, Dawn of the Dead may well be the goriest American film of all time. The film is actually so violent and gruesome that it was released unrated in the United States for fear of being slapped with an X Rating.
That didn't stop the film from being a huge hit at home and abroad. It instantly became recognized not only as a genre classic, but also as one of the sharpest social satires of the decade, with its often hilarious commentary on an ever growing consumer culture embodied by the film's mall location.
Internationally, the film was even bigger. The movie was released in a special minute cut overseas the US theatrical version was minutes which was edited by Dario Argento and featured a more prominent presentation of the soundtrack by rock band Goblin as well as a much faster overall pace. View All. Asian-American Pacific Islander Heritage. Log in with Facebook. Email address. Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes.
You may later unsubscribe. Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email. Please click the link below to receive your verification email. Cancel Resend Email. Watch trailer. Read critic reviews audience says There's plenty of buildup before the all-out action arrives, but Zack Snyder's second zombie movie gives you characters you can root for and a solid cast led by a terrific Dave Bautista.
Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres.
More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. How did you buy your ticket? View All Videos 3. View All Photos 8. Movie Info. Driven by the hope that the payoff could help pave the way to a reconciliation with his estranged daughter Kate Ella Purnell , Ward takes on the challenge, assembling a ragtag team of experts for the heist.
Scott finds an unexpected emotional hurdle when Kate joins the expedition to search for Geeta Huma S. Qureshi , a mother who's gone missing inside the city. With a ticking clock, a notoriously impenetrable vault, and a smarter, faster horde of Alpha zombies closing in, only one thing's for certain in the greatest heist ever attempted: survivors take all.
Horror, Action, Adventure, Crime. Zack Snyder. May 14, wide. May 21, Dave Bautista Scott Ward. Ella Purnell Kate Ward. Omari Hardwick Vanderohe. Ana de la Reguera Maria Cruz. Theo Rossi Burt Cummings. Nora Arnezeder Lilly The Coyote. Hiroyuki Sanada Bly Tanaka. Tig Notaro Marianne Peters. Huma Qureshi Geeta. Garret Dillahunt Martin. Samantha Win Chambers. Zack Snyder Director. Zack Snyder Screenwriter.
Shay Hatten Screenwriter. Joby Harold Screenwriter. Deborah Snyder Producer. Wesley Coller Producer. Zack Snyder Producer. Bergen Swanson Executive Producer. Zack Snyder Cinematographer. Dody Dorn Film Editing. Junkie XL Original Music. Julie Berghoff Production Design. Geoffrey S. Grimsman Art Director. Sophie Neudorfer Set Decoration. Stephanie Portnoy Porter Costume Design.
John Papsidera Casting. Kim Winther Casting. View All Critic Reviews Jun 20, Or Zack Snyder dips his hand into the zombie apocalypse market. Las Vegas has been overrun, naturally, and so the decision to nuke it, what else - but there's a fortune in loot to be had.
Will a special team dare the zombie apocalypse to retrieve it? Cue the predictable team-of-gusty-outsiders-going-on-dangerous-mission introduction montage, cue the gearing-up-for-a-dangerous-mission-montage with loads of ammo and somebody's got a big knife, duh. Cue all the predictable plot characteristics, etc. Even the surprise twist at the end.
At least the film's decently executed. But there are no surprises though. I could almost hear Snyder thinking, "I could do this blindfolded, with my hands tied behind my back," and that's exactly what it feels like. Kevin M. W Super Reviewer. May 24, Despite an expensive redo into the editing bay for the supersized Justice League 2. Army of the Dead has an easy concept that seems silly as well as questionable why we haven't seen this kind of movie before.
The world loves zombies movies. The world loves heist movies. Why have we waited until , in the year of our Lord, for a zombie heist flick? Our long drought is finally over and Netflix has answered our collective prayers. When I watch a movie described as "zombie Vegas heist" then I know what I'm hoping for, chiefly a fun, goofy, and well-developed action thriller, and that's what Army of the Dead provides.
Las Vegas is ground zero for a zombie outbreak. The U. The president plans to drop a nuclear bomb and eradicate the zombie plague once and for all. That means there's still time for one last score. Scott gathers a crew of Zombie War vets, specialists, a guide to sneak them into the quarantine zone, and his estranged adult daughter who watched dad out mom down after she became a zombie.
Together they'll venture into certain danger to hit a jackpot. It's easily Snyder's most laid back and straightforwardly enjoyable movie since his debut feature, 's Dawn of the Dead remake. It's a movie that knows what we're here for and provides a colorful band of characters with big personalities and over-the-top bloody violence. I can't say that I genuinely cared about whether anyone lived or died in the movie, as many are so disposable that I forgot they were in the group, but I missed their presence when the time came to say goodbye.
The actual heist component of the movie amounts to less than the perilous journey to get to the giant vault, and the exaggerated booby traps reminded me of Indiana Jones temples. It was just the right splash of ridiculous to make me laugh. This is a movie designed to simply push the right buttons for a schlocky good time. Its opening montage sets the tone with famous Vegas staples falling victim to zombie mayhem.
Early on, it's Snyder assuring you that he's not taking anything too seriously and that neither should you. There are moments where Snyder just throws out nonsense just to mess with the viewer, like a scene where Vanderohe theorizes that the skeletal corpses might actually be them and they are trapped in a loop, complete with matching edits to link up their clothing and jewelry to make you wonder.
I turned to my girlfriend in disbelief; could this actually be happening? It doesn't at all, but just the fact that Snyder devoted time for this throwaway sci-fi head fake amused me. I almost wished Snyder had given us more of these throwaway joke exit ramps. At one point, a character gets locked in a vault, and I hoped for a brief moment Snyder would frame the film like it's suddenly evolved into the zombie's own Ocean 11, where now the zombies need to put together a crack zombie team to break into the vault for some delicious brains.
I appreciate that Army of the Dead prioritizes entertainment on all of its fronts. Snyder and company have also put more deliberation into their world building. Most zombie movies just present a wasteland of the undead, a sea of hands and teeth that serve as a swarming obstacle but without any more thought. In Army of the Dead, the movie presents the beginning of a zombie civilization with a hierarchy.
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